Origin
DREX was born from original composition and full control of its catalog. Every song is authored by Joaquín De Ramón, with rights protected in the United States and the Dominican Republic.
DREX · Official Discography
Five albums and two Rock Operas. One identity. Original music.
DREX is a music project with over 15 years of history, five studio albums and full authorship of its entire catalog. CHICA DE REVISTA (2010) established the sonic identity of the project. RESURGIR (2026) expanded that vision with 14 new original songs. HIERRO VIVO (2026) added 12 hard rock anthems. METAMORFOSIS (2026) added 13 conceptual songs. CARTOGRAFÍA DEL ASOMBRO (2026) is its most recent album: 14 songs forming a cosmic hard rock journey, with international-level production and global distribution on all streaming platforms.
The DREX project
The Albums
CHICA DE REVISTA (2010) brings together 13 songs that define the sonic identity of DREX. RESURGIR (2026) marked the return with 14 new songs. HIERRO VIVO (2026) added 12 hard rock anthems. METAMORFOSIS (2026) is a 13-song concept album. CARTOGRAFÍA DEL ASOMBRO (2026), its most recent album, is a 14-song cosmic hard rock journey.
Digital Vision
drexband.com is the official hub: direct streaming, lyrics, videos, controlled downloads and community. Bilingual, mobile-optimized and designed to connect with fans worldwide.
What each album is about
CHICA DE REVISTA
Chica de Revista represents DREX's first steps: desire, freedom and the search for a voice of one's own among the city lights. From the untamable woman of Chica de Revista and the intensity of Descarga de Amor to the hope of Luz al Final del Túnel, the album portrays the thrill of someone who begins to live without asking permission. In Sueña, that first stage finds its true manifesto: it is never too late to reclaim your calling, pick up the guitar again and turn your own story into songs.
View album →RESURGIR
Resurgir is born from the ashes, but it does not seek to return to the starting point: it proposes coming back transformed, aware and more true. Resurgir, Lo Que Vine a Ser and Despertar o Morir turn pain into identity, while Hoy Es el Día, El Camino Es Hoy and Sin Permiso refuse to wait and claim the present as a territory for action. It is an album about rising, recognising the few who remain, loving intensely and deciding what kind of life —and what kind of world— we want to build.
View album →HIERRO VIVO
Hierro Vivo is a manifesto of resistance, dignity and pride against everything that tries to break us. Its songs turn blows into strength —Hierro Vivo, Cicatrices and De Pie Otra Vez— but they also honour those who hold up the world without ever making the headlines: the workers of Manos de Acero, El Turno de la Noche and Gigantes de Barrio. Here, to resist means to keep your word, to break the mould and to affirm, as in No Me Vendo and La Última Palabra, that dignity must never have a price.
View album →METAMORFOSIS
Metamorfosis begins with an Eclipse that switches off all certainty and forces us to look behind appearances. Along the way, Muda de Piel breaks inherited obedience; Abre los Ojos, Cuervos and Veneno en el Oído reveal the mechanisms of power, war and manipulation; and Nombres en el Escombro gives human identity back to those whom others reduce to statistics. When El Enjambre Despierta, the transformation is no longer individual: Alas appear and an Amanecer arrives that promises not a perfect world, but open eyes, memory and hands ready to change it.
View album →CARTOGRAFÍA DEL ASOMBRO
Cartografía del Asombro turns curiosity into a journey: a signal picked up in La Antena en el Tejado becomes a Frecuencia Imposible and brings together twelve travellers who learn to move forward, to listen and to care for one another. In Un Idioma de Pulsos the encounter is born not of conquest but of dialogue; and Nadie Conquista el Infinito states that to discover grants no rights over what is discovered, only the responsibility to understand it. On seeing that Todo Cabe en un Punto Azul and returning in La Tierra Suena Diferente, the greatest revelation is not among the stars: it is in recognising the fragility, the beauty and the immense value of our common home.
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METAMORFOSIS · Rock Opera
In a city ruled by noise, screens and fear, DREX awakens after a long inner eclipse. An abandoned shirt, a name among the rubble and a splinter that refuses to fade open the doors of his memory. Beside him, Mara becomes witness, conscience and strength before a truth many wish to hide. Together they discover that behind the chaos there is a hand that directs the voices, hands out crowns and turns men into wolves. DREX must face those who rule from windowless rooms, and also his own ghosts. When the swarm awakens, surviving is no longer enough: one must choose which side to stand on. METAMORFOSIS is a journey of resistance, memory, identity and transformation; a rock opera where music turns wounds into strength and darkness into revelation. Because after every fall, there is always the possibility of a new dawn.
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CARTOGRAFÍA DEL ASOMBRO · Rock Opera
Cartografía del Asombro turns curiosity into a cosmic journey. On a neighbourhood rooftop, a boy raises an antenna and picks up three pulses crossing the night; an impossible frequency gathers twelve travellers ready to answer the call. Over six years they learn that a single word can hold a crew together when the Earth falls silent, that a language of pulses is worth more than any flag, and that discovering grants no rights, only the duty to understand. Facing the order to descend and occupy, they choose to return without empire. On seeing that Todo Cabe en un Punto Azul (Everything Fits in a Pale Blue Dot), the greatest revelation is not among the stars: it is in recognising the fragility and immense value of our common home. A rock opera in which the universe stops being a territory to conquer and becomes an interlocutor.
View the opera →